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・ Gate of Bibarrambla o de las Orejas
・ Gate of Blaise
・ Gate of China
・ Gate of China, Beijing
・ Gate of China, Nanjing
・ Gate of Dawn
・ Gate of Divine Might
・ Gate of Doña Urraca
・ Gate of Europe
・ Gate of Flesh
・ Gate of Heaven Cemetery (disambiguation)
・ Gate of Heaven Cemetery (East Hanover, New Jersey)
・ Gate of Heaven Cemetery (Hawthorne, New York)
・ Gate of Heaven Cemetery (Silver Spring, Maryland)
・ Gate of Hell (film)
Gate of Horn
・ Gate of Ivory, Gate of Horn
・ Gate of Ivrel
・ Gate of Kuwait
・ Gate of la Latina
・ Gate of Mercy
・ Gate of Mercy Synagogue
・ Gate of Riehen
・ Gate of Saint Alban
・ Gate of Saint John
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・ Gate of Steinen
・ Gate of Supreme Harmony
・ Gate of Taipei


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Gate of Horn : ウィキペディア英語版
Gate of Horn

The Gate of Horn was a 100-seat〔( Gibson & Camp album details )〕 folk music club, located in the basement of the Rice Hotel at 755 N. Dearborn St. at the corner of Chicago Avenue, on the near north side of Chicago, Illinois, in the 1950s and 1960s. It was opened by Albert Grossman in 1956 and was where Odetta, Bob Gibson, Roger McGuinn and others made their name. Also appearing at the club were Theodore Bikel, Josh White, (Sr. and Jr.) Oscar Brown Jo Mapes, Brownie McGhee, Sonny Terry and the Clancy Brothers and Tommy Makem, the New Lost City Ramblers, Judy Collins, Hoyt Axton and Bonnie Dobson.
Bob Gibson was its frequent Master of Ceremonies (M.C.) and often introduced new talent at the Gate of Horn. He met a quiet, shy songstress with a great voice named Joan Baez at the Newport Folk Festival and persuaded her to perform at the Gate of Horn after the festival. Many of those who performed at the Gate of Horn were interviewed by Studs Terkel for his radio show "Studs Terkel's Wax Museum" which also helped build the folk music revival in Chicago. Bob Gibson was also one of the forces behind the influential Old Town School of Folk Music for several decades after the 1960s.
In April 1961, Gibson and Bob Camp recorded their folk album ''Bob Gibson & Bob Camp at the Gate Of Horn'' at the club.
The Gate of Horn outgrew its basement and moved to a larger venue on Rush Street near Oak. This was also one of the clubs at which stand-up comedian Lenny Bruce played, in December 1962, before his arrest and trial for obscenity.〔(【引用サイトリンク】 url = http://www.law.umkc.edu/faculty/projects/ftrials/bruce/brucechrono.html )〕 When the Gate of Horn folded, its space was filled for several years by Second City. The original Gate of Horn site at 755 N. Dearborn is now a parking lot; a similar fate befell the building which last housed the 1950s and 1960s free-speech coffee house "The College of Complexes" which was at 515 N. Clark Street—a few short blocks away.
McGuinn later wrote the song "Gate of Horn", about the venue and the way it affected him.〔
Bill Cosby went as a comedian to the "Gate of Horn".〔(【引用サイトリンク】 url = http://www.youtube.com/watch?v=BY-WFfajWq8 )
==Albums recorded at the Gate of Horn==

*1957: ''At the Gate of Horn'' (Odetta, 1957), Tradition TLP1025
*
*''Although titled "At the Gate of Horn," Odetta's album is not a live recording from the club. Rather, it is named such because it is representative of the set she performed there.
*1959: ''Memphis Slim at the Gate of Horn'' (Memphis Slim, 1959)
*1961: ''Gibson & Camp at the Gate of Horn'' (Bob Gibson and Bob Camp, 1961)
*1967: ''Hearty and Hellish'' (The Clancy Brothers and Tommy Makem, 1961)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Gate of Horn」の詳細全文を読む



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